Archive for the 'Fulltime Casual' Category

See More Hoffman

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Last week I had one of those inspired needs to watch several films of the same actor.

It all started after watching Charlie Kaufman’s directorial debut Synecdoche, New York.

I fucking loved the movie, and it left me with a compulsive need to keep watching Philip Seymour Hoffman movies.

Next up was Doubt, a movie I had sitting at home for ages, and just never got around to watching it.

It wasn’t that I didn’t want to see it, it’s just one of those ones that I always thought I had to be in the right frame of mind to watch.

And true to Hoffman standard, the movie was brilliant.

In perfectly cast roles, the three leads gave stellar performances (especially Amy Adams, who I have a new-found respect for after watching her in Junebug), and in my opinion, the movie should have won Best Picture at this year’s Oscars.

But it didn’t stop there, I just kept going.

Boogie Nights, Almost Famous, The Big Lebowski, Mission Impossible 3, Happiness, Magnolia, The 25th Hour and Capote to name a few.

But I still have to watch The Savages, which I hear is brilliant.

The guy is awesome and in every role, no matter how minor, he seems to steal each scene he’s in.

I love the fact that whenever a director needs someone to play a creep, pervert, pedophile or loser, Hoffman is the first guy they turn to.

In Synecdoche, New York, Hoffman plays hypochondriac, theatre director Caden Cotard (creep), who…

I really have no idea of how to summarise this movie, so I’m going to cheat, and just insert this link to the summary posted on IMDB. It’s pretty long but that’s as good as it can get. You really just have to go and see for yourself.

As with all Kaufman scripts, the line between brilliance and lunacy are hard to perceive.

It really is a case of Alice and the rabbit hole. As Caden becomes more and more involved in his own creation, he (and the audience) begins to lose track of what’s fact and what’s fiction.

It’s kind of like Kaufman has handed us a jigsaw puzzle and forced us to make sense of it all. And while some audience members will fit certain pieces together better than others, in the end, there are still plenty of them missing and other pieces that have been thrown in the box, which don’t actually fit at all.

It is a strange balance, which in my head seemed to work, but for others just seemed ridiculous and confusing.

The film features an incredibly likable and extremely talented female cast, including Catherine Keener, Michelle Williams, Samantha Morton, Jennifer Jason Leigh, Emily Watson and Dianne Wiest.

Hope Davis tops the lot, with her brilliant role as Caden’s therapist; and whilst her character seemed to make no real sense at all, she seemed entirely essential.

And little known actor, Tom Noonan does well to keep up with Hoffman, playing the actor, playing the actor, playing Hoffman’s character (try and get your head around that one!).

All in all, I encourage people to check this one out. Not only for your own interest, but more so, so that someone can explain to me what happened.

What the fuck was with the burning house?

3.5/5

Nerds

Hi! How’s it going?

So hey – John Hodgman did the correspondent’s dinner and it was, predictably enough, awesome.  Damn theat Hodgman, with his boring tendency to be consistently hilarious!

There’s something sublime about talking Star Trek and Dungeons and Dragons and Conan the Barbarian to a president of the United States. And then calling him a nerd and a wingnut. And getting him to make the Vulcan “Live long and prosper” hand. And schooling him in the various brands of hobbits. And calling him the Quisatz Haderach…

Checkit.

… and asking the him a three-part question about the culture of the fictional world of Arrakis. The answers are “Shai Hulud”, “Thumper” and “The Water of Life”, by the way.

For those of you who already knew this – hello nerds. :)

How good is Obama? He’s switched on, good-humoured and clearly a huge geek even though he pretends not to know who Crom is. He also pretends to be a God-botherer, but hey – you gotta make a few PR sacrifices to be POTUS.

And, just ’cause Obama is awesome, here’s link to the musical registrar of the American experience, Tom Waits, singing Chocolate Jesus.

Music To Your Eyes

Is it music that makes the scene or the scene that makes the song more memorable?

After watching The Watchmen in all its splendor several weeks ago, I was really impressed by Zak Snyder’s weird and equally wonderful soundtrack.

It was packed full of familiar classics and covers from the late 70’s and 80’s, including Jimi Hendrix’s All Along The Watchtower, Dylan’s The Times They Are Changing, Leonard Cohen’s Hallelujah, Simon and Garfunkle’s The Sound of Silence and the bizarre inclusion of Nena’s 99 Luftballons.

In the following weeks, I stumbled across the suburb indie The Wackness, with its equally appealing soundtrack full of urban beats. For those with a fondness for hip-hop, I strongly recommend you check it out. Highlights include Can I Kick It? – A Tribe Called Quest, Flava In Ya Ear – Craig Mack and The World Is Yours – Nas.

My final boost of inspiration came from watching the classic Good Morning Vietnam and I began to compile a list of the most memorable movie songs ever.

Now, this ended up being a lot harder than I first expected, so what started off as 10 was soon 20, then 25 and is now 30 songs. To make my choices easier, I prioritised in the order of good song, good movie, good moment and good artist.

I’m still not 100% sure that this would be my ultimate list, but I honestly couldn’t think about it any more. In my opinion it’s pretty damn good, and makes a great play list even if you’re not into movies.

I know that there are probably millions that I have forgotten, but I figured you guys would tell me what I’ve missed.

So without further ado, and in no specific order – The 30 Greatest Movie Songs Ever

Continue reading ‘Music To Your Eyes’

Guys you didn’t know you knew: Ben Burtt

Okay. Ages ago, I gave some love to Stan Winston. Because he was awesome. And most folks don’t know who he was.

Now, I want to give it up for Ben Burtt, sound designer nonpareil. Because most folks don’t know who he is.

This is the guy who invented R2D2’s beeps and Wall-E’s interminable cuteness. He made TIE fighters scream like Tusken Raiders, made Darth Vader asthmatic before he was cartoonishly stupid,  put klaxons and bells into spaceships exploding… used WW2 aircraft engines for the Millenium Falcon.

My favourite story about Ben concerns Raiders of the Lost Ark. Story goes that he saw the rushes for the opening South America sequence and was stumped on the sound to put on the Forrestal’s skull turning towards Indy… what would be creepy enough? What would sound real?

Next morning, he found the answer in his breakfast; more specifically in a boiled egg. The cracking sound of  breaking the shell of a boiled egg – that’s Forrestal’s skull saying “hi” to Indy.

How awesome is that?

Dillon, you sonofabitch.

The CIA got you pushing too many pencils?

Fuck. Times ten. Firstly because our fearless leader saw Trek in Sydney at the premier, without me, and got to meet John Cho  and Zachary Quinto and Chris Pine and Jaybrams… and secondly because that muthafrakker took @Warlach with him. I will kill these men. Physcially kill them.

This is no crime, because they’re already dead to me.

Even more egregious is that I was going to write a long post about Ben Burtt, off my own bat, and what happens? Ben did the sound design on Trek. And these Wells boys gave him love on the podcast, before I got to.

And now our fearless leader’s getting Pegg stories from Harold.

I’m gonna post about Burtt anyway, but I’m living in the shadow now, aren’t I?

Physically.

Kill.

Message ends.

So then I said …

Wait, is this thing on?

Knowing was better than expected. No really.

It’s All Me…

Firstly, sorry for the lack of input over the last few weeks, I have no excuses, just plain lazy.

After going through the best and worst of 2008, I realised that I really hadn’t seen much throughout the year.

So while my friends were all making the same shit resolutions which they make every year and never keep (i.e. get fit, give up smoking, drink less), I made a resolution which I knew I could keep; to dedicate more time to sitting on my arse, kicking up my feet and watching more movies.

To save you all some valuable reading time, I’m just going to break down several movies into short and sweet reviews, which you can scroll and skim at your leisure.

Blood’s a Boyle’n…

I Pick C: Shithouse

Slumdog Millionaire cleaned up during this year’s awards season, and it’s not hard to see why.

However, it took me a while to form an opinion on Slumdog Millionaire and I was never sure why.

A friend and I sat for hours trying to pin-point what it was exactly that left us feeling like this film was not what everyone had made it out to be.

My friend came up with the surprisingly clever metaphor, in that Slumdog Millionaire was exactly the same as going to a party in someone else’s home town and hooking up with the hottest girl there, only to find out that everyone had already been there before you –sure it was beautiful but there have been millions of Bollywood films to explore Indian culture beforehand.

I had to agree, but personally, I felt that Baz Luhrmann was to blame.

For some reason, after seeing Australia, I just could not justify how much he was able to exploit everything Australian for the sake of another bullshit Hollywood film and I don’t see why Danny Boyle’s portrayal of Indian culture is any different, except for the fact that Boyle isn’t actually Indian.

Unlike City Of God, where director Fernando Meirelles actually made me feel as though I was gaining some insight into slum-life in Brazil, I think I’ve just become too sceptical and too aware of the amount of bullshit I am being fed to believe the same thing here – curtesy of Baz.

I always knew there was a lot of shit in Hollywood films; I liked to think of them as hotdogs – which I thoroughly enjoyed even though I knew what they were made of and watching Australia was like watching a hotdog being made, and once I realised exactly how much shit was in them and how much manipulation was involved in selling them, it just made the rest a lot harder to swallow.

And for Slumdog Millionaire to win Best Picture, just says to me that everyone in Hollywood is looking at it and thinking “well done guys, this is the type of film that demonstrates how much we have progressed as film-makers,” when realistically, this film still depicts the same Hollywood bullshit and romantic clichés as any other film, it’s just set to a different back-drop and exploiting a different culture.

I didn’t start this review with the intention of being critical; it’s just that in hindsight, the film was well made; I just wish Hollywood would just stick to ruining American culture and not fucking with the rest of the world.

But fuck it, I’m the one writing this thing and that’s my opinion – deal with it.

3.5/5

The Full Nelson (Whatever That Means)…

In The Ring

The Wrestler was easily my pick of the litter as movie of the year.

It held all the characteristics of a commercial success while capturing the grit of a true indie flick and solid performances by Mickey Rourke and the ridiculously hot Marissa Tomei, made The Wrestler essential viewing.

It is a shame it didn’t win more in the Oscar department, but in all fairness, we all know that the Oscars are a complete load of shit.

The Wrestler tells the story of has-been pro-wrestler Randy “The Ram” Robinson, who in between romancing a worn out stripper (Tomei) and trying to reconnect with his estranged daughter (Evan Rachel-Wood), is trying to hold on to his former glory and that one last shot at the big time.

Much like Ledger’s Joker at the beginning of The Dark Knight, Mickey Rourke impressively depicts his character through small mannerisms, despite his face being covered with a rubber mask.

Marissa Tomei is perhaps the film’s only real flaw, in that she is almost too good-looking to be believable.

She plays an aging stripper, trying her hardest to provide for her son, despite losing customers because of her diminishing looks.

Having bared all in Before The Devil Knows You’re Dead in the same year, it seems that Tomei is also using her body to secure more work, and while it continues to land her roles like these, I’m sure we will see a lot more of her in the future.

The Wrestler is perhaps the most mainstream film to come from Darren Aronofsky (Pi, Requiem For A Dream) in regards to its’ appeal to the more commercial audience. I went to see this with a girl who actually wanted to see Bride Wars and she loved it.

This gets my vote as movie of the year.

4.5/5

Minor Details

Role Models

I have to admit; I think I love Paul Rudd. The man is hilarious. On a scale of man-crushes, he sits up there with Downey Jr. and Sam Rockwell, which is a pretty big call in itself. Role Models further confirms my faith in him as a comedy actor.

It seems that Judd Apatow has more pies around than he can stick fingers in at the moment and Role Models is just another notch on the belt.

Although Apatow was not actually attached to the movie in terms of production, direction or writing, his influence is highly present in the humour, the actors, the set-up, right through to the underlying morals and romantic tie-ins.

90% of comedy castings these days just mix and match Apatow regulars and the formula continues to pay off. Here, Rudd leads the recently absent Sean William Scott (Stiffler), the adorable Elizabeth Banks and everyone’s new favourite geek, Christopher Mintze-Plasse (McLovin).

Rudd and Scott play Danny and Wheeler, two energy-drink promoters, who are forced into a child-mentoring program after breaking the law. In a predictable twist of fate, once Danny and Wheeler warm to their initially uncontrollable kids, they learn important life lessons about friendship, love and blah, blah, blah.

Rudd’s character is perfectly suited to the dry, sarcastic humour, which he does so well. In that sense, he reminded me a lot of Cusack in High Fidelity; playing a cynical asshole, with enough charm to win the audience over. Similarly to Cusack, the reason Rudd may have suited the role so well is because he also co-wrote the screenplay.

McLovin’s schtick is hilarious, but a third time could wear thin, and see him go the same route as Jon Heder.

Sean William Scott brings back the immature man-boy charm that made him so likable in the American Pie franchise.

It is Jane Lynch’s bizarre role as the mentoring program’s founder that gets a majority of the laughs. She seems to make the most normal circumstances feel ridiculously awkward without leaving you cringing more than you laugh.

Role Models didn’t get much of a run at the cinemas, but I encourage everyone to get hold of it.

This is what Zak and Miri Make A Porno should have been!

3.5/5